Authentic Movement in Middle Eastern Dance

March 15, 2009 No Comments

Dear Maria,
I am writing to you to thank you for the amazing workshop that you taught at my studio in late January this year. I was in a very stuck space, both as a teacher and a dancer. I needed an injection of inspiration, which I got from your workshop. I gained a deeper insight into you and how to connect the dance much closer to my body than ever before. Your ability to make bones and muscles, mind and emotion all connect as one totally blew me away.

Techniques like the Shimmy and the Egyptian walk have been the hardest for me to teach to my students, but since doing your workshop, I have utilised the way you break moments down, and my students and I are doing the best shimmies ever!

As the day went on and I started to absorb more of what you were saying, I began to understand that the more loose and relaxed my bones and muscles were the more vulnerable my mind and body became to the music.

This concept gave me a whole new insight into improvisation, which is truly the art of the dance, expressing yourself freely in the magic of the moment. From this vulnerable state the dancer transforms the music from sound into a visual tangible feeling form, therefore justifying the music. This is where the journey begins for the dancer and the audience.

In this space there is an abundance of movement, whereas, if the mind takes over, there are limits to what the body can do. When our negative inner talk takes over, the dance becomes a stressful experience and Belly dancing is not meant to be stressful.

I also especially love the way you really focus on the belly being our dance centre. I think for me this is what inspired me the most. It brought me back to my body and my feeling centre. I can quite easily lose my centre; a lot of stress everyday and running a business can be over whelming. When I move my energy to my belly and dance from there, my feet instantly become heavier and I feel more grounded. This felt really good and I felt more present in the moment and my dance became more natural, not so contrived.

I am an Oriental Dancer, not a Folkloric Belly dancer at all. Some people make the mistake of assuming that what you do only applies to a particular style — well it doesn’t.

I am defiantly applying the things you taught me and my students are benefiting a lot
.
I think you are really onto something and I have no hesitation in recommending you for workshops and private lessons. Thank you for your passion and true care and respect and love of the dance

Sincerely with love

Melissa Cristina
February, 2004

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